With Hollywood conquered, Netflix has a new goal: reach a $1 trillion market cap by 2030, according to a Wall Street Journal report.
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The tech aims to walk a fine line of not overloading customers with bad ads as several streamers launch their own ad-supported tiers.
Antitrust regulators in India flagged Disney’s $8.5 billion merger with Reliance for competition concerns in cricket broadcast rights.
As Paramount moves under the control of Skydance Media, current leadership is undergoing a campaign to realize half a billion in savings.
The contestants in Washington’s long-running game show are now known, we think. And Hollywood is nowhere to be seen.
After years of spending big with little to show for it, Apple is attempting to rein in costs at Apple TV+.
Roku wants to personalize movie night with generative AI.
CNN announced layoffs of 100 employees, a reorganization of its newsrooms, and its “first direct-to-consumer subscription product.”
As US-based streaming platforms chase audiences around the world, they’re increasingly committing to international productions.
After likely losing NBA rights, Warner Bros. Discovery scooped up the US broadcast rights to the French Open.
The big services are working on a structure that will weigh factors such as viewership time, production budget, and new subscriptions added.
The service has grown to 74 million monthly active users, a bigger audience than the Max paid-subscription platform.
To win the Streaming Wars, Mickey Mouse will need to get out of the house more. And, no, the trip to Epcot doesn’t count.
Taylor Swift may be signed to the label, but Universal Music Group somehow can’t find a way to make its business work.