With Hollywood conquered, Netflix has a new goal: reach a $1 trillion market cap by 2030, according to a Wall Street Journal report.
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CNN announced layoffs of 100 employees, a reorganization of its newsrooms, and its “first direct-to-consumer subscription product.”
After likely losing NBA rights, Warner Bros. Discovery scooped up the US broadcast rights to the French Open.
The contestants in Washington’s long-running game show are now known, we think. And Hollywood is nowhere to be seen.
The service has grown to 74 million monthly active users, a bigger audience than the Max paid-subscription platform.
Comcast announced it would soon launch a new bundle that would package together its streaming service Peacock with Netflix and Apple TV+.
The company’s Disney+ and Hulu platforms eked out $47 million in operating income. Just don’t ask about ESPN+.
As US-based streaming platforms chase audiences around the world, they’re increasingly committing to international productions.
As the latest MLB season kicks into full gear, fans in 15 markets across the US can’t watch local game broadcasts.
As Paramount Global very publicly pursues a sale, longtime executive Bob Bakish has found himself increasingly on the outs.
The stakes for media and tech companies have never been higher, even if attention spans have never been shorter.
To win the Streaming Wars, Mickey Mouse will need to get out of the house more. And, no, the trip to Epcot doesn’t count.
Taylor Swift may be signed to the label, but Universal Music Group somehow can’t find a way to make its business work.
After years of spending big with little to show for it, Apple is attempting to rein in costs at Apple TV+.
Roku wants to personalize movie night with generative AI.